Adventures

DASAVATHARAM PERUMAL MATSYA KOORMA VARAHA NARASIMHA VAMANA PARASURAMA RAMA KRISHNA BUDDHA KALKI

Ramar Pattabhishegam [Crowning ceremony of Lord Rama] Click on the picture for a more clear and larger view. R to L: Sugreeva, Jhambhavan, Guha, Rama, Seeta, Bharatha, Lakshmana, Chathrugunah. Below: Hanumaan

India's rich painting heritage encapsulates diversified shades in the world of paitings.The Kangra Miniatures of the Pahari School is also an integral part of Traditional Indian Paintings.This art form made a mark in the 18th century. Kangra School of miniature paintings was influenced by the Mughal Miniature style of painting, though it successfully retained its distinctiveness. These ethnic indian paintings were naturalistic and employed cool, fresh colors. The colors were primarily extracted from minerals, vegetables and possessed enamel-like luster.Ever enticing greenery of the landscape, brooks, springs were the recurrent images on the miniatures.Painters explored endless themes for their paintings from the texts of the Gita Govinda, Bhiari's Satsai, and the Baramasa of Keshavdas. Similarily the eternal love of Krishna and Radha rejoicing the moments of love was also portrayed very frequently. The paintings based on Ragmalas (musical nates) also found patronage in Kangra s...

Kalamkari is an exquisite ancient craft of painted and printed fabrics. It derives its name from "Kalam" meaning Pen, and "Kari" meaning work, literally Pen-work. It is hand painting as well as block printing with vegetable dyes. Very old, this art knew it's apogee in the rich person kingdom of Golconde [ the current city of Hyderabad,Andra Pradesh]. It has evolved through trial and error over the last 3000 years. Techniques of craftsmanship in Kalamkari were handed down within the families from generation to generation. In Andra Pradesh, both the Masulipatnam and Srikalahasti villages are recognised as major centres for Kalamkari painting. Thus came the two styles of Kalamkari painting - Masulipatnam style ans Srikalahasti style.

Kalighat painting derives its name from its place of originKalighat, in Kolkata - the erstwhile capital of British India. This painting form has its roots in the cultural upheavals of nineteenth century colonial Bengal. At this time a huge number of village folk had migrated from rural Bengal and settled in and around the famous Kalighat temple. Amongst them, many were potters and scroll painters. These were the people whose painting style and themes later came to be known as Kalighat painting. They used watercolors and painted on inexpensive mill papers. Brushes were made from squirrel and calf hair. Cheap color pigments were applied in transparent tones, which was totally different from the traditional of Indian tempera. With shaded contours and articulated gesture and movement, the figures attained a plaque-like effect on a neutral unpainted ground. The style is characterized by formal and linear economy, meaningful gestures, and quality brushwork and flawless rhythmic strokes. The ...